Workers in a Field by Edwin Lord Weeks
- Item No.
Print Page
Orientalist works by Weeks are well represented in museums such as the MET and Musee d'Orsay
Key Features
Click to See Complete Item Details »
- An important Orientalist painting by American artist Edwin Lord Weeks
- This work depicts a North African farmer overseeing the harvesting of his wheat crop
- The attention given to the people, customs and landscape make Weeks' paintings highly desirable
- Orientalist works by Weeks are well represented in museums such as the MET and Musee d'Orsay
- Signed and dated "E.L. Weeks 1876" (lower left); oil on canvas
- Canvas: 20 1/8" high x 32" wide; Frame: 27 1/4" high x 39 1/8" wide
Item Details
- Width:
C: 32 F: 39 1/8 Inches - Height:
C: 20 1/8 F: 27 1/4 Inches - Period:
19th Century - Origin:
Other - Subject:
Miscellaneous - Artist:
Other
Edwin Lord Weeks
1849-1903 · American
Workers in a Field
Signed and dated "E.L. Weeks 1876" (lower left)
Oil on canvas
A farmer oversees the harvesting of his wheat crop in this exotic painting by American Orientalist artist Edwin Lord Weeks. His meticulous consideration to the people, customs and landscape in his paintings has made them among the most desirable Orientalist compositions ever created.
Born in Boston to an affluent family of spice and tea merchants, Edwin Lord Weeks displayed interest in both painting and traveling early in his life. In the early-1870s, he moved to Paris to receive formal artistic training at the Ecole des Beaux-Arts under Jean-Léon Gérôme. His application was delayed for some time, and he began studying in the studio of Léon Bonnat. By the time Weeks gained acceptance, he lost interest in the academy and decided to decline the offer.
Weeks instead chose to indulge his passion for traveling abroad, setting his sights on the East, including locales in Africa and India previously closed off to Western travelers. One of his earliest paintings, dated 1872, depicting the port of Tangiers still survives from this period and appears to be one of the first of his works in the Orientalist style for which he became known. His presence in India coincided with the height of the British Raj during the 1880s and Weeks captured the Victorian romance and splendor of Indian civilization. This fact was recognized when Weeks was invited to exhibit a large collection of his works at the Empire of India Exhibition held in London in 1895. Weeks exhibited either in America or at the Paris Salon until 1880. When he finally returned to France in 1896, he was made Knight of the Legion d'honneur, solidifying his place as one of the city's most celebrated artists. To his credit were memberships in the prestigious German associations of the Order of St. Michael and the Secession.
Canvas: 20 1/8" high x 32" wide
Frame: 27 1/4" high x 39 1/8" wide
Provenance:
Private collection, New Orleans
Select Artist's Museums:
Dallas Museum of Art, Texas
Metropolitan Museum of Art, New York
Brooklyn Museum, New York
Musée d'Orsay, Paris
Appleton Museum of Art, Ocala, Florida
Joslyn Art Museum, Omaha, Nebraska
Newton History Museum, Massachusetts
Portland Museum of Art, Maine
Smithsonian American Art Museum, Washington D.C.
The Walters Art Museum, Maryland
1849-1903 · American
Workers in a Field
Signed and dated "E.L. Weeks 1876" (lower left)
Oil on canvas
A farmer oversees the harvesting of his wheat crop in this exotic painting by American Orientalist artist Edwin Lord Weeks. His meticulous consideration to the people, customs and landscape in his paintings has made them among the most desirable Orientalist compositions ever created.
Born in Boston to an affluent family of spice and tea merchants, Edwin Lord Weeks displayed interest in both painting and traveling early in his life. In the early-1870s, he moved to Paris to receive formal artistic training at the Ecole des Beaux-Arts under Jean-Léon Gérôme. His application was delayed for some time, and he began studying in the studio of Léon Bonnat. By the time Weeks gained acceptance, he lost interest in the academy and decided to decline the offer.
Weeks instead chose to indulge his passion for traveling abroad, setting his sights on the East, including locales in Africa and India previously closed off to Western travelers. One of his earliest paintings, dated 1872, depicting the port of Tangiers still survives from this period and appears to be one of the first of his works in the Orientalist style for which he became known. His presence in India coincided with the height of the British Raj during the 1880s and Weeks captured the Victorian romance and splendor of Indian civilization. This fact was recognized when Weeks was invited to exhibit a large collection of his works at the Empire of India Exhibition held in London in 1895. Weeks exhibited either in America or at the Paris Salon until 1880. When he finally returned to France in 1896, he was made Knight of the Legion d'honneur, solidifying his place as one of the city's most celebrated artists. To his credit were memberships in the prestigious German associations of the Order of St. Michael and the Secession.
Canvas: 20 1/8" high x 32" wide
Frame: 27 1/4" high x 39 1/8" wide
Provenance:
Private collection, New Orleans
Select Artist's Museums:
Dallas Museum of Art, Texas
Metropolitan Museum of Art, New York
Brooklyn Museum, New York
Musée d'Orsay, Paris
Appleton Museum of Art, Ocala, Florida
Joslyn Art Museum, Omaha, Nebraska
Newton History Museum, Massachusetts
Portland Museum of Art, Maine
Smithsonian American Art Museum, Washington D.C.
The Walters Art Museum, Maryland
