Archive for the 'M.S. Rau Blog' Category

True Blue – Tanzanite

December 9th, 2014 | posted by Peter Hernandez
An incredible 45.26-carat cushion-cut tanzanite absolutely shines in this stunning ring

An incredible 45.26-carat cushion-cut tanzanite absolutely shines in this stunning ring

Discovered in the hills of Mount Kilimanjaro 1967, tanzanite hails from the exquisite land of Tanzania in East Africa. The gemstone was first thought to be an alternative type of sapphire. With further investigation, however, the stone’s properties were seen to be more complex and unique. At the 1968 World’s Fair, the stone was christened with the name “Tanzanite,” the responsibility of Henry B Platt, president and chairman of Tiffany & Co. This wonderful gemstone boasts a strong blue-violet color that is even more accentuated under fluorescent light. Due to this uniqueness in style and origins, the Tanzanite is often called the “gemstone of the 20th century” and has rapidly become one of the most coveted gemstones in the world.

Tanzanite with the strongest and pure blue hues of color are considered the most premier and valuable. In most cases, in order to achieve this remarkable color, the gemstone must be artificially heat treated. To find a natural, true blue tanzanite is nearly impossible; it boasts exquisite beauty and rarity.

This incredible natural Tanzanite weighs a monumental 82.01 carats

This incredible natural Tanzanite weighs a monumental 82.01 carats

The MS Rau Antiques gallery is able to covet two such untreated Tanzanite pieces. A striking elegant cushion cut 45.26 carat tanzanite, flanked by 1.36 carats of glistening diamonds, are set in 18K gold and platinum to form a stunning ring.  This shows impressive quality and brilliance in cut. To match this perfect ring, our Tanzanite pendant necklace features an 82 carat natural stone. It is radiantly set in 18K gold.

Treat yourself to one of our spectacular pieces of tanzanite jewelry this Holiday Season and you will cherish the rarity and beauty of the opulent blue pieces for years to come.

 

GIVEAWAY UPDATE

 

We’ve extended the deadline for our giveaway!!!! You now have until December 15th for your chance to win this book: Nineteenth-Century European Painting, from Barbizon to Belle Époque by William Rau! It’s the perfect gift for the art lover! Enter to win below!

Murano: The Island of Murano Glass

December 4th, 2014 | posted by Bill Rau
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This 12-light fixture showcases a veritable garden of foliate-formed Murano glass.

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This one-of-a-kind Venetian fountain is a remarkable example of Murano glass.

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Brilliant color and delicacy inform this rare Venetian Murano glass chandelier

Venetian glass captures the dance of light and color unlike any other. Its brilliant hues and dazzling, acrobatic designs mark Venetian glass pieces as some of the most delightful and extraordinary in the world. This ancient art blossomed on the tiny island of glassmakers, whose innovations and creativity would inspire the art of glassmaking throughout the world.

With its origins in Byzantium and Syria, the history of

glassmaking in Venice begins 900 years ago. Isolated in her lagoon, the tiny nation was insulated from the rest of Europe during the Dark Ages, and, rarely challenged, was uniquely able to hold on to her riches and flourish. At a time of prosperity, lavish glass pieces became a hallmark of the affluent, a uniquely Venetian testament to wealth. Certainly, no other creative industry could have been more befitting the rich, but small, island nation, as sand and other materials for glassmaking were available in abundance.

Following a devastating fire in Venice in the 13th-century, glass manufacturers were ordered to move outside the city to the nearby Venetian island of Murano. Just over one hundred years later, approximately three thousand glass blowers worked from the island, and the sequestered artisans produced an astonished variety of glass pieces that adorned palaces across Europe. Murano glassmakers continued throughout the Renaissance producing works of astonishing technical and creative mastery, dominating the glass trade until the 18th century.

Napoleon’s conquest of Venice in 1797 decidedly halted the output of Murano glassmakers for about six decades, until the 1850s when it was revived by one determined and enterprising glassmaker and businessman, Antonio Salviati. After Venice regained its independence from foreign rule and prosperity returned to the city, nationalistic artisans began to revitalize the arts that they had lost just a generation before, including the nation’s pride – glassmaking. Salviati, his craftsmen, and his competitors succeeded in restoring the glass industry to its former grandeur by the end of the 19th century.

Murano glassmakers enthusiastically and wholeheartedly rejoined the flourishing art trade throughout Europe, creating pieces that blended traditional Venetian styles with the Art Nouveau design that was sweeping the continent. Glass pieces took on a variety of forms, from delicate vases, cups, and bowls to large elaborate pieces such as blossoming chandeliers and bubbling fountains. Entirely handcrafted, these glass masterpieces are each a unique, one-of-a-kind testament to the centuries old tradition. Imbued with the romance of times past, these rare works are a delightful and whimsical sight to behold.

The best places to view rare Murano glass pieces are the Victoria & Albert Museum in London and Metropolitan Museum of Art in New York, though most pieces remain in private collections and rarely come on the market. M.S. Rau Antiques is pleased to have acquired a few exceptional pieces of important Murano glass for our collection, on view at our Royal Street gallery in New Orleans.

 

 

Nécessaire: The Greatest Travel Companion + GIVEAWAY!

December 2nd, 2014 | posted by James Gillis
Gold gilded silver and cut crystal accentuate the various toiletries inside

Gold gilded silver and cut crystal accentuate the various toiletries inside

Travel during the late 16th century all the way through the early 19th century was considered a privilege and a symbol of wealth shared only by those who were fortunate enough to afford the luxury. Upon completing their academic studies, young gentlemen and women of high social standing would spend time traveling throughout Paris, Venice, Florence, and Rome visiting the great masterpieces of art and architecture that they had studied throughout their time in school.  These young socialites would travel for days, months, and even years absorbing all the cultural knowledge of their travels.  Of course, these lengthy journeys required a convenient means of transporting their personal belongings, or necessities, of daily use.

Often constructed of luxurious materials such as silver, gold, tortoiseshell, fine woods and leathers, nécessaires were chests that held a wide range of ‘necessary’ scent bottles and small cosmetic tools for daily use. Each traveler’s nécessaire was unique in its own way and was often designed to reflect the owner’s noble status. Not only were they practical travel kits, but they also were great symbols of wealth and personal taste.

The inside features 11 cut crystal boxes and jars with beautifully engraved silver gilt tops and toiletries accented with mother-of-pearl handles.

The inside features 11 cut crystal boxes and jars with beautifully engraved silver gilt tops and toiletries accented with mother-of-pearl handles.

In our gallery, we have several impressive nécessaires, each filled with everything from essential toiletries and jewelry to sewing and writing instruments.

The first chest, an English nécessaire de voyage, is a 24-piece nécessaire from 1849. Crafted of the finest coromandel wood, this stunning chest features a fitted, leather and green velvet-lined interior, and houses various cut crystal perfume bottles and utensils. The bottom compartment features a lockable drawer, perfect for concealing and protecting valuables. This case is both beautiful and practical.

The second chest is a similar, English nécessaire veneered with elegant coromandel wood. The interior of this impressive chest is comprised of 11 cut crystal boxes and jars with beautifully engraved silver gilt tops and toiletries accented with mother-of-pearl handles. This nécessaire also features two secret compartments, each opened by pressing discreet buttons located inside. This compact travel kit is perfect for light travel.

Nowadays, it is extremely rare to find such remarkable and personalized travel kits simply due to the fact that travel has become such a regular, everyday occurrence. These nécessaires offer an interesting glimpse into past methods of travel.

 

GIVEAWAY

 

We’re excited to announce our first ever giveaway! Enter below for your chance to win this scholarly yet approachable book by William Rau!

This beautiful book sheds new light on the history of 19th-century European painting by examining the works of over 200 masters, covering dozens of movements from Romanticism to Impressionism, and everything in between. Masters of 19th-century art, including Corot, Bouguereau, Alma-Tadema, Godward, Monet, Renoir, van Gogh, Pissarro, Mönsted, Grimshaw, Dawson, Elsley, Vibert, Soulacroix, Herring, Sr., Delacroix, Courbet, Lewis, and Gerome are examined.

The winner will be announced 2 weeks from today, December 16, 2014. Good luck to all!

Accessorizing The Holiday Table

November 25th, 2014 | posted by Susan Lapene
The only four known 18th-century silver cheese stands are in museums or private collections

The only four known 18th-century silver cheese stands are in museums or private collections

Get festive and have the best place setting this holiday season. With some our most unique and special items, you can set the table for this holiday and impress all your thanksgiving guests.

Make your appetizers and delightful snacks look exquisite for your extended family in our Silver Georgian Cheese stand is truly one of a kind. Made by London Silversmith Soloman Houghman, this cheese stand is only one of four that was crafted from silver. With plenty of room for crackers and delicious cheeses, you will surprise all your guests with a beautiful array of everyone’s favorite hors d’oeouvres. Add some fresh grapes and light greenery and you have the perfect presentation.

This rare and lovely majolica oyster stand by Minton would be the star of any dining affair.

This rare and lovely majolica oyster stand by Minton would be the star of any dining affair.

 

 

 

Add even more decadence to your room and hors d’oevures display with this rare Majolica Oyster Stand by Milton. With four tiers of twenty seven shells that end in an eel and fish decorative finial atop, this piece would be the star of your dining collection. Place any variation of your favorite oyster recipe in each shell and amaze your guests with such a beautiful presentation. Milton was Europe’s leading ceramic factory during the Victorian Era and prevails in importance and rarity today.

This extraordinary Victorian silver plate biscuit box boasts expert craftsmanship and a stunning design.

This extraordinary Victorian silver plate biscuit box boasts expert craftsmanship and a stunning design.

During the main course, keep your yummy biscuits fresh and warm in this Victorian Silver Plate Biscuit Box. Adorned in figures from the Early Roman Empire, this continuous relief decoration represents symbolic sacrifice in the traditions of this period. This biscuit box is set atop a matching silver tray and is crowned with a magnificent eagle finial. This unique box serves not only a symbol of outstanding, but a symbol of the extraordinary talent and craftsmanship during the Victorian era.

Distinguished by a ring of hobstars contrasted by smooth flutes circling the rim and center, this compote is a treasure for the American cut glass enthusiast.

Distinguished by a ring of hobstars contrasted by smooth flutes circling the rim and center, this compote is a treasure for the American cut glass enthusiast.

Can’t forget the best part of the meal! Enjoy a delicious spiced apple dessert served in one of our magnificent cut glass compotes. Our Aberdeen American Cut Glass Compote, crafted by the Jewel Cut Class Company of Newark, represents truly remarkable artistry and skill. It is of the Aberdeen pattern, also known as Hobstar and Flutes, which is considered one of the premiere patterns of all the cut glass motifs. Any scrumptious dessert would be beautifully presented in this compote.

An Invitation to a Masterpiece – Picasso

November 20th, 2014 | posted by Deborah Choate

Artist, Creator, Poet…Pablo Picasso, an artist known to almost every ear, rests as one of the most prolific and well-known artists, individuals, and influencers in the history of art. Mainly working in the abstract and cubism fields, this 20th century Spanish artist created paintings, ceramics, prints, drawings, and various writings. He is known as a co-founder of the Cubist movement, a revolutionary field of art that firmly secured itself within the avant-garde and represented abstracted objects in a way to give multiple viewpoints. This flourishing movement came with various international influences, such as African and Native American. Like Picasso, these artists were immensely curious in the stark and strong appearances and emotions evoked by these robust and unique cultures.

Originally printed as an invitation to his 1961 ceramics exhibition at the Madoura Gallery

Originally printed as an invitation to his 1961 ceramics exhibition at the Madoura Gallery, this rare, original linocut mimics the strong, linear style of Picasso’s modern ceramic designs.

For Picasso, this influence from unique cultures left a lasting impression on his sculpture. Ceramics created during his vast career hold designs and patterns similar to modern, abstract, and primal aesthetics. One such ceramics exhibition held in 1961 at the Madoura Gallery captured enormous interest and adoration of this modern style. The ceramics, while ranging in size, shape and color, all possessed Picasso’s strong, linear style. What aided the popularity and positive analysis of the exhibition were the stunning invitations

This unique item was originally drawn and printed by Picasso as an invitation for his stunning sculpture exhibition. It is a linoleum-cut print that features designs of certain ceramics that were present at the show. Three different horizontal registers contain three drawings that speak to certain pieces and aesthetics that were present in his exhibition. Most of these invitations were lost or destroyed and few, such as this one, are preserved and were never sent. Printed on fine woven paper, this print is number 18 of only 100 copies and Picasso’s signature is found in the bottom left hand corner.

The invitation, petite yet prominent in its presence, reveals Picasso’s striking artistic innovation. It represents not only new influences in art, but the elasticity of Picasso’s talent. These abstract, linear, and bold designs are extraordinary in their design and are a testament to the phenomenal craftsmanship that Picasso possessed.

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