Well-established artists, like the so-called ‘Old Masters’ or the Impressionists, have a stable market value. By comparison, the more contemporary the artist, the more uncertain is his or her market value. (from “Investors find a safe haven in art,” DW, 10/16/11, by Chi Viet Giang)

…Given the history of art funds in the recent times, it would be perhaps more advisable at this juncture to buy art from galleries… (from “Invest in art to balance portfolio,” The Economic Times, 9/25/11, by Nalini S. Malavyia)

Steven Murphy, chief executive of the privately held Christie’s, said collectors and investors alike see art as a potentially safe haven for their cash at a time when the broader financial outlook remains volatile… (from “Auction Houses Clean Up as Investors Vie for Art,” Wall Street Journal, 2/1/12, by Kelly Crow)

After reading the above mentioned quotations and articles, you very well may be convinced that buying art now is the thing to do. That said, you may still question why to buy from M.S. Rau Antiques. That answer lies in the advantage of private galleries over auction houses. When buying from our 100 year old, internationally respected gallery, there are no premiums to pay. Furthermore, if there is a work of art by a particular artist and/or in a certain style, we are more than happy to find exactly what you are looking for!

So if you are still asking the question, Why Art? Why Now? or Why from M. S. Rau?,  here are just a few more great reasons…

Vincent Van Gogh

Pierre Auguste-Renoir

Paul Gauguin

Albert Sisley

and our favorite American son, Norman Rockwell

From myself, Lyndon Lasiter, and all of us at M.S. Rau Antiques, thank you for helping make our first 100 years successful and why not, BUY ART AND BUY NOW, as we begin our second 100 years of offering the rarest, finest and most desirable fine art available!

This extraordinary terrestrial globe, measuring an impressive 30 inches in diameter, was crafted by the reputable firm W. & A.K. Johnston, Ltd. The beautiful, accurately detailed map is set within a lavishly carved mahogany base on four cabriole legs.

Globes of this grand scale were incredibly expensive to make. It proved to be much more cost effective to update one’s plates than to buy an entirely new globe. From Edinburgh, the Johnston firm emerged during the second half of the 19th-century as one of the foremost globe makers in all of the United Kingdom, overshadowing their rivals in London.

The Johnston brothers, William and Alexander Keith, both worked for leading Scottish globe manufacturer James Kirkwood until the Great Fire of 1824, which destroyed the firm. In 1825 William founded his own firm and was soon joined by his brother the following year.  Their combined skills as geographers, engravers and printers truly set them apart. They quickly rose to the forefront of globe manufacturing in the UK, and were awarded a royal appointment from Queen Victoria. In 1851, at the Great Exhibition in London, the brothers introduced their 30-inch globe design, the first of its kind ever produced in the British Isles.

The firm remained intact even after the deaths of Keith (1871) and William (1888), and continued to produce spectacular globes well into the 20th century.

To see our various globes for sale, please click here.

Back in the old days, in the 1750’s, the way in which lovers expressed their true sentiments to each other and loved ones was to send a specially scribed message secretly hidden in a tiny “étui”, as it’s called in French, or a small ornamental case that women also used to carry their small utensils, a thimble and thread for sewing, or other miniature necessities during their daily activities.  When used for a romantic, or highly a private, message, a seal of wax was used to close the étui to ensure that it wasn’t opened and the confidant betrayed.

Little cylinders, no more than 4 inches long and one inch in diameter, were crafted by hand in leather and precious metals, exotic materials like shagreen (shark or stingray skin),  tortoiseshell or semi-precious stones. They are the perfect romantic gift in which you can stash a very personal love note or even a small gift of jewelry.

M.S. Rau Antiques and Fine Art has acquired an extraordinary collection of 18^th century “étuis” which are decorated using different types of gold and agate. Agate was highly prized in the 18^th century for its marbled look and used as an amulet or talisman to divert storms in ancient civilizations. French phrases like “Nul Plaisir Sans Vous” (“no pleasure without you”) intensify the sentiment of the gift tucked inside, as shown on the one below.

This incredibly intricate, Swiss Louis XIV-era etui (below) is only 4 inches long and is made of 18K yellow gold and features a Neoclassic design representing Music and Gardening motifs in bas-relief cartouches and laurel borders.

This exuberant, English Rococo era étui is formed of beautifully carved agate and 18K yellow gold. It is carved to resemble an enchanted landscape with trees.  Sealed with wax for security, it opens with the push of a diamond studded button. Truly, a gift to have and to cherish.

Australian aborigines called it the “stone of light” and the Celts believed its prismatic properties linked it to the sun. Even the fortuneteller’s rudimentary crystal ball was originally crafted of the mysteriously alluring mineral we refer to today as rock crystal.

Rock crystal, or clear quartz, has been revered by nearly every ancient culture in history. It’s clear, ice-like appearance, enhanced by light refracting fissures gave the mineral an air of mystique that carried on well into the Renaissance. The mineral’s innate beauty piqued the interest of 14th-century European royals and aristocrats and they began amassing stunning collections that largely included rock crystal objets d’art in rooms known as “curiosity cabinets.” Even today, many royal collections throughout the world contain pieces crafted of rock crystal.

The use of rock crystal in the creation of precious objects required highly skilled artisans that were proficient in a multitude of disciplines, including gem cutter, jeweler, goldsmith, and enamelist. No other group of craftsmen excelled in this art better than the Viennese. Their ability to marry so many varied techniques, with the utmost level of perfection and beauty, led to the creation of the most exquisite objects of virtu ever made.

This resplendent Viennese charger is inset with nine intricately engraved panels of rock crystal

This brilliant Rock Crystal Charger of Chateau de Chenonceau is believed to have been commissioned by the daughter of Scottish businessman Daniel Wilson, who purchased the Chateau de Chenonceaux for her in 1864. Created by a Viennese craftsman of obviously tremendous skill, a precise rendering of the chateau is carved into the central panel of rock crystal, while the surrounding insets are etched with an intricate network of Neoclassical scrolls. The silver and silver gilt frame of the charger boasts relief figures adorned with vivid enamel, pearls, rubies and emeralds. In terms of history and craftsmanship, this is arguably the finest example of Viennese rock crystal on the market.

A breathtaking rendering of the Chateau Chenonceau at the center of the charger

A single block of rock crystal was used to create this fanciful Rock Crystal and Enamel Vessel, in the form of a double-headed bird. From the exquisite carving to the intricacies of the silver gilt enameling, it would be easy to envision this elegant masterpiece in a most prestigious collection.

The fanciful form of this Viennese rock crystal vessel is similar to prized specimens currently held by museums.

M.S. Rau Antiques is incredibly fortunate to offer these and several other Viennese rock crystal wonders for sale. Rarely does such a large number of these desirable objets d’art become available for acquisition, as most can only be found in the most prestigious museum collections. Immersed in legend, sought by royalty and matchless in beauty, the reason why these treasures continue to lure collectors throughout the world is crystal clear.

To view M.S. Rau Antiques entire collection of rock crystal treasures, click here.

George III Silver Gilt-Covered Monteith

If you were to ask someone from New Orleans, “What are the seasons,” they would definitely not give the answer, winter, spring, summer or fall.  You are much more likely to get the response of, “it’s Mardi Gras season, or football season, (or more specific, Saints season),  Jazz Fest season, creole tomato season, strawberry season, hunting season, fishing season, shrimp season, the season of Lent and I could go on and on. We all look forward to that next great season and a reason (or excuse) to celebrate.

Right now we are in Mardi Gras season and I am having a, “Twelfth Night Party”. What is a Twelfth Night Party? It’s just a great reason to have a party! The twelfth night was actually on January 6^th or 12 nights after Christmas and it’s our official date to kick off the Mardi Gras season.  Today is January 14^th, so I am a little late but who’s counting?

Style is such an intricate part of any celebration. If there were one thing in this entire gallery that I would love to have at my party it would be the George III Silver gilt Monteith. It screams style! For those of you who don’t know, a Monteith is an elaborately decorated vessel with notched rims allowing a wine glass to suspend inside the bowl which is filled with either ice or ice water.  Hence the chilled glass! The name monteith was derived from a very dapper dressing Scottsman, Monteith,  who wore a cloak of notched edges.

I can just imagine serving wine in chilled glasses from this magnificent silver gilt monteith elaborately decorated in repousse’ of huntsman, stag and hounds, flower garlands, winged figures and bearded satyr masks…stylish and great fun!

Whatever season you’re celebrating, do it with style. Make this Monteith your new centerpiece.

Measurements:

11” diameter x 15 1/2” high

Asking Price: $68,500

Wouldn’t this exquisite piece be perfect for your next festive occasion?