Welcome to FAIRYLAND…
There are certain things that I can look at that just make me happy. Fairyland Luster by Wedgwood is one of them.
The colors are wild and the color combinations even wilder. The images take you to a far off land where mystery and magic are abound. Creatures include floating, dancing and climbing fairies, bats and spiders, little green men call “Imps”, melting maidens, butterfly women, goblins and leap-frogging elves. The backgrounds are lush forests, with ponds, mushrooms, poplar trees, castles, bridges and silk draped columns. Even the names are magical, Jeweled Tree Vase, Jumping Faun Lily Tray, Castle on a Road, Imps on a Bridge and on and on.
It all started in 1909 when Daisy Makeig-Jones marched into Cecil Wedgwood’s (an heir of Josiah Wedgwood) office and asked for a job as an apprentice painter. A bold move on her part! She was clearly talented and she moved up quickly through the ranks. By 1915 Wedgwood announced the launch of Makeig-Jones’s flamboyant Fairyland Lustre Design. It was a hit! Both Europeans and Americans loved Fairyland. It was just the boost in the arm Wedgwood needed to get them through a rather large financial slump.
But, all was not well in Fairyland. According to Wedgwood, by 1929 Art Nouveau fairies faded from fashion and the line was discontinued in 1929. (I think it was the Great Depression that did in the Fairies.) Also, Daisy had grown “too big for her station”. She would march around telling people what to do. Eccentric can be good in a designer but no longer designing she quickly became a difficult employee, more interested in the mythical world than the real one. So, I bet you can guess what happened next. In 1931 she was politely asked to retire. She left in a fury and never designed again.
I personally like and appreciate a fellow female rebel. Go Daisy, go!!
According to Appraiser Nicholas Dawes, PBS, Antiques Road Show, “Wedgwood is one of the most famous names in the history of English ceramics and there’s 250 years of Wedgwood production. But, Fairyland Lustreware is among the most valuable of all Wedgwood from any period.” And I would like to add, the most fun.
We have a huge collection. My two favorites are “Lily Tray ” and the “Daventry” Bowl. Check them out and tell me what you think?




Susan





