Archive for the 'From Our Sales Team' Category

The Mystery of Chiaroscuro

August 2nd, 2013 | posted by Ludovic Rousset
A mastery of light and composition distinguishes this outstanding painting by Petrus van Schendel

A mastery of light and composition distinguishes this outstanding painting by Petrus van Schendel

Petrus van Schendel is perhaps most famous for his nighttime market scenes which garnered substantial attention for his use of light and composition.  With their interesting contrast between light and dark, these scenes have a mysterious aura to them. The focal point of these nocturne paintings is the candle which subtly illuminates the entire scene and showcases an overall complex composition. The candle provides a small yet brilliant glow which reflects onto the subjects’ facial features, thus inviting the viewer to imagine their own storyline. Van Schendel’s nocturne paintings truly exemplify the 17th-century Dutch tradition of candlelit paintings and provide a glimpse into what life was like for the working class of the 17th century.

Van Schendel was born in the Netherlands in 1806 and began his art studies early on at the Antwerp Academy. As a student, his primary focus was to become a portrait painter. He started his career painting portraits of various subjects, including his renowned self-portrait. While his career as a portrait painter proved to be successful, these paintings do not compare to his later nocturne paintings which show an incredible level of detail and naturalism.

Upon finishing his studies at the Antwerp Academy, van Schendel began travelling throughout Europe, picking up various artistic styles along the way. He finally settled down in Brussels in 1845, where he began to perfect his nocturne paintings. Strongly influenced by the 17th century tradition of Dutch candlelit paintings, van Schendel mastered the technique of chiaroscuro, or the balance between light and dark. This technique allowed him to paint incredible nocturne masterpieces, such as the painting seen here.

Bringing the Outdoors into Your Living Room

July 19th, 2013 | posted by James Gillis
Circa 1910, 27 1/2" diameter x 69 1/2" high

Circa 1910, 27 1/2″ diameter x 69 1/2″ high

Are you the type of person who is inspired by the aura of natural light? If you answered “yes”, then you share the same passion as Louis Comfort Tiffany. Tiffany was an American artist during the Art Nouveau period best known for his stained glass works such as the lampshade seen here. His distinct style emphasized organic forms and geometric designs, which often depicted beautiful, outdoor landscape scenes. Tiffany was fascinated by bright colors and the natural light of the outdoors; therefore, his goal was to create stained glass lampshades that would bring the beauty of the outdoors into peoples’ homes year-round.

Each lamp was carefully handcrafted using the copper foil method, which allowed the individual pieces of stained glass to adhere together creating a delicate masterpiece. While this process took patience and time, it is the reason why no two Tiffany lamps are alike. Each lampshade tells its own story and has its own distinct style; a feature that makes it truly a one of a kind collector’s item.

The Ultimate Souvenir from the Grand Tour

July 6th, 2013 | posted by Phillip Youngberg
Circa 1845, 35 ½" diameter x 29 ½" high

Circa 1845, 35 ½” diameter x 29 ½” high

Travel during the late 16th century all the way through the early 19th century was considered a privilege and a symbol of wealth shared only by those who were fortunate enough to afford the luxury.

During this time period, young, upper-class, European men would embark on a Grand Tour of Europe after having finished their academic studies. These young men would spend time traveling throughout Paris, Venice, Florence, and Rome visiting the great masterpieces of art and architecture that they had studied throughout their time in school.  During their Grand Tour, they would also gather unique souvenirs along the way as a means of capturing the beauty and glory of each destination. Often times it was common for a young traveler to gather rare pieces of marble or granite that were unique to each specific region that he had visited. He would then bring these specimens back home with him after completing his Grand Tour and have a local artisan craft a ‘souvenir table’ for him.

In this incarnation, the final result is an ornate table decorated with micromosaic scenes framed by rare marble and granite samples.  These tables not only served as personal souvenirs for the traveler but were also symbols of great wealth and knowledge. Anyone who visited the traveler’s home would see this table and be able to tell just how worldly he was, based on the amount of unique marble and granite samples he had collected along his journey.

Click here to learn more about this incredible piece.

Lebasque in the Summer

May 31st, 2013 | posted by Phillip Youngberg
Lebasque embraces the techniques of the post-impressionists, the Nabi painters and the fauvists.

Lebasque embraces the techniques of the post-impressionists, the Nabi painters and the fauvists.

Summer is in full bloom here in New Orleans and has been for some time. As the temperature rises and the Creole tomatoes appear, our thoughts turn to the carefree days of vacation – maybe a quick trip to the Gulf Coast for a weekend or, if you’re lucky, a proper holiday to the south of France.  The vibrant feeling of summer days is captured perfectly in a painting we just acquired by the artist Henri Lebasque that depicts a mother and daughter in an intimate embrace looking out toward a vivid Mediterranean sea. Colorful and sentimental, this work embodies the myriad influences on Lebasque’s technique and the absolute beauty of coastal France.

Lebasque and his family first went to Saint-Tropez in 1904 at the invitation of fellow artist Henri Manguin, who had taken to painting there part of the year. By the 1900s Saint-Tropez had become well established as a destination for Parisians seeking sun and relaxation and had attracted a number of artists, including the post-impressionist painter Paul Signac. Under Signac’s influence Lebasque adopted the post-impressionist technique of dividing color into complementary tones which created greater tonal brilliance in his paintings.

Promenade a Saint-Tropez was painted a year before Lebasque’s first solo exhibition at the Galerie Georges Petit in Paris and exactly one year after the famous Salon d’Automne show of 1905.  We can see some of the influence of fauvism in the present work with the artist’s use of juxtaposed color to suggest light and space as well as his bold, frenzied and passionate brushstrokes. The subject matter of domestic life in natural surroundings is quintessential Lebasque, a result of his time spent with the Nabi painters, Vuillard and Bonnard, and the contrasts of deep purple and mauve tones with brilliant greens recall the palette favored by his fauvist contemporaries, Matisse and Manguin.

Just about everyone who walks by this painting in our gallery has a strong reaction to its beauty. If you are in New Orleans, you simply must come by and see it in person. The dramatic brushstrokes and color will transport you to the magnificence of the Mediterranean in an instant. Click here to see more of M.S. Rau Antique’s fine art collection.

The Mystery Within

May 24th, 2013 | posted by Susan Lapene
The flicker cane is ready for danger at the flick of a wrist.

The flicker cane is ready for danger at the flick of a wrist.

What provocative objects can be hidden inside a cane? Man and his ingenuity have managed to come up with thousands and thousands of tools, personal necessities, and weapons to defend themselves…all tucked neatly away inside an unassuming cane.

At first glance, the flicker cane looks like a fine, old walking stick. A polished, knotty wood shaft culminates in a bird-shaped handle, giving the cane a sturdy, but handsome look. With the flick of a wrist, the cane reveals

Two-sword cane conceals a pair of swords.

Two-sword cane conceals a pair of swords.

its hidden purpose: a blade darts out of the top of the handle, sharp, and ready to be used as a weapon. And just as quickly as you can snap the very base of the cane onto the ground, the blade disappears without a trace.

Hidden within this demure and substantial cane are not one, but two long, narrow blades. The two-sworded cane, or “sword stick” as it is often called, became popular in the 18th and 19th centuries as a bold accessory. A clever disguise, these canes have roots in ancient Rome and Japan, where similar style weapon canes were carried mainly for ceremonial purposes.

La Diabolique cane hides spikes in the shaft.

La Diabolique cane hides spikes in the shaft.

La Diabolique is a captivating cane, with an equally intriguing history. Known as a notorious weapon used against French authorities by rioters in the famous 19th century street riots, La Diabolique quickly transforms from a simple walking stick to a harmful weapon. With the twist of the handle, spikes jut out of the shaft allowing the owner to inflict brutal wounds upon opponents.  It is no wonder these canes are so valued by collectors!

We have had the opportunity to acquire hundreds of interesting canes over our 101-year history, and yet, each new walking stick we acquire is even more fascinating than the next! Please visit our website to see the range of these beautiful collector’s items. Maybe you will be enticed to start your own collection!

« Prev - Next »