Archive for the 'From Our Sales Team' Category

Melodious Mechanical Marvels: Antique Music Boxes

April 11th, 2014 | posted by Bill Rau

“Music gives a soul to the universe, wings to the mind, flight to the imagination and life to everything.” ― Plato

Arburo Orchestrion Organ by Bursens and Roels

This Arburo Orchestrion revolutionized the automated music industry by utilizing stand-alone instruments in its ingenious mechanism. Each was special ordered and made entirely by hand.

Music has the ability to uplift, convey strong emotions and bring people from all walks of life closer together. The desire for reproducing and sharing this powerful art form is as old as music itself. Long before MP3s and CDs made their impact on the world, craftsmen sought to make music not only portable, but also accessible to a broader audience. It wasn’t until the invention of the music box did that idea become a reality.

29-2795MusicBox

A case and original matching table crafted of stunning
burl walnut distinguishes this rare Swiss Sublime Harmonie music box.

The first historical record of a mechanical music device dates to 9th century Iraq with the creation of a water-powered organ that played cylinders outfitted with tiny pins that corresponded to particular notes on the organ. It is this very cylinder design that was used in music boxes through the 19th century. The next innovations were pioneered by clock and watchmakers in the 18th century, who designed stunning snuff boxes, known as carillons à musique, with diminutive cylinder mechanisms that plucked the teeth of a metal comb to play a delightful tune while holding one’s favorite tobacco blend. This beautiful Swiss Musical Snuff Box is a fine example, demonstrating outstanding mechanical ingenuity with superior craftsmanship.

Cabinet-makers began making their contributions in the 19th century with the creation of elaborate table-top versions of the music box. Some, like this Swiss Ouverture Cylinder Music Box by B.A. Bremond featured superior-quality mechanisms encased in handsome wood boxes adorned with intricate inlays. More elaborate examples, such as the Sublime Harmonie Music Box not only came with their own beautifully crafted tables, but more complex mechanisms that incorporated bells, drums and castanets to create depth and richness in their sound.

28-8853MusicBox

This brilliant Ouverture cylinder music box by B. A. Bremond of Geneva, Switzerland is capable of playing an entire overture, which is twice as long as other music boxes of its time.

The invention of the phonograph by Thomas Eddison and World War I had a dramatic impact on the music box industry, with many companies either going out of business, or converting their businesses to making watches and other mechanical devices. Other companies, like Arburo of Belgium, made innovations well into the mid-20th century. This remarkable Arburo Orchestrion Organ by Bursens and Roels uses a paper roll and a bellows to play stand-alone instruments, including drums, triangle and an accordion, which are integrated in the mechanism. Such incredible mechanical instruments had the ability to produce music once only possible by a full band, and were a common feature in dancehalls and cafés throughout Belgium and the Netherlands.

From grand mechanisms that replaced an entire orchestra to miniature instruments that fit in your pocket, the world of music boxes is as varied as the collectors who treasure them.

To learn more about music boxes and to see M.S. Rau Antiques’ selection of these mechanical wonders, click here.

A Commanding Presence: The Art of William Bouguereau

April 7th, 2014 | posted by Bill Rau
30-0186Bouguereau

This portrait beautifully demonstrates the master’s ability to capture nuances of personality and mood.

“For me a work of art must be an elevated interpretation of nature. The search for the ideal has been the purpose of my life. In landscape or seascape, I love above all the poetic motif.”  –William Bouguereau

The name William Bouguereau is synonymous with some of the greatest paintings in turn-of-the-century fine art. Known for his technical prowess and loyalty to the academic style of painting, it is hard to imagine that such an artistic giant was relegated to obscurity for over 70 years.

With a character of sincerity and modesty, Bouguereau became one of the most decorated artists of the 19th century. A student of the great Neoclassical artist Ingres, his painting technique boasts an unsurpassed degree of finish and luminous coloration, hallmarks of the French Academy. His handling of women and children is perhaps his greatest achievement. In this work, entitled Jeannie, Bouguereau imparts an expression of untampered purity upon his subject’s face, effectively reminding the viewer of the fleeting innocence of childhood.

Bouguereau enjoyed tremendous success during his lifetime. He received medals from the Salons and Universal Expositions, successive ranks, including Grand Master, of the prestigious Legion of Honor, and was the leading member of the Institute of France and President of the Society of Painters, Sculptors and Engrav

ers. His art never deviated from the basic principles of Academic training, and he so dominated the Salons of the Third Republic that the official Salon became known unofficially as Le Salon Bouguereau.

30-1104Bouguereau

This portrait of a beautiful young lady selling gilliflowers is a rare work painted during the few weeks the artist spent in Menton near the Italian border.

Bouguereau’s works were eagerly bought by fine art connoisseurs world-wide who considered him the most important French artist of the 19th century. By 1920, Bouguereau fell into obloquy, with his staunch rivals being the Modernist avant-garde, including the Impressionists. To this modern regime, the artist was a competent technician

needlessly holding on to tradition. Artists such as Monet and Degas coined the pejorative “Bougeuereaute,” a term used to describe any artistic style bound by idealism and academic restriction.

As a result, Bouguereau fell out of appreciation for a majority of the 20th century, and became a name only the most studied 19th-century art scholars might recognize. However, beginning in the early 1980s, museums began to “re-discover” this long underappreciated and forgotten artist. Today, Bouguereau’s paintings have once again come into their own, and his works are held by over an estimated 100 museums throughout the world, including the Louvre, and the Museé d’Orsay in Paris, the National Gallery in London and the Metropolitan Museum of Art in New York.

Rising triumphantly to reclaim his rightful place in the pages of art history, Bouguereau’s paintings are some of the most coveted in the world. And, on the rare occasion they come onto the market, the opportunity to acquire one of his breathtaking canvases isspectacular indeed.

View more masterpieces and learn more about William Bouguereau.

Eugene Boudin

February 28th, 2014 | posted by Phillip Youngberg

G. jean Aubry commented that “Boudin is one of the most interesting examples of instinctive creativity, a painter who demonstrates the uselessness of schools and rules, and the supreme virtue of personal effort, long patience, and a steadfast gift.”

Le Rivage de Villerville, Maree Basse, by Eugene Boudin

Le Rivage de Villerville, Maree Basse, by Eugene Boudin

With serene landscapes and dreamlike scenes, this steadfast gift is one that leaves the viewer craving more.  What fueled this personal effort that led Boudin to the heights of artistic success?

Like some of the most impressive figures of our time, Eugene Boudin had humble beginnings.  His father, Leonard-Sebastien Boudin, was born into a family of sailors and would continue to uphold this seafaring legacy.  The younger Boudin, however, would break from this tradition, but his family’s ties to the seas would always touch his canvases in some way.

Landscape with Cows by Eugene Boudin

Landscape with Cows by Eugene Boudin

Boudin received no artistic encouragement from his family, it would be the people he surrounded himself with that would nurture his creative passions.  In fact, it was an early employer who gave Boudin his first set of paints.   At eighteen, he would start his own stationary shop with a colleague.  Situated on a bustling street in Le Havre, he began to meet a cadre of artists vying to have their items displayed in his store’s window.  These artists that undoubtedly helped inspire his artistic vision and they included Eugene Isabey, Constant Troyon, Thomas Couture, and Jean-Francois Millet.

Innate talent, drive, and an aesthetic inspired by and focused on the open ocean make Boudin’s nuanced scenes coveted by art lovers the world over.  We are fortunate to not only enjoy these images in the gallery every day, but also share them with you.

Luxurious Lighting

January 25th, 2014 | posted by Lyndon Lasiter
Regency Cut Glass & Ormolu Candelabra

Regency Cut Glass & Ormolu Candelabra

Before electricity flooded interiors with on-demand lighting, the rhythm of life was dictated by natural light.  While, of course, illumination by flame (whether fueled by oil, tallow, or any manner of other substances) has existed for millennia, its use could often be curtailed by means and access.  Today the singular dance of a flame, and the play of its glow against nearby objects, is a special presence that is too often absent from modern life.  No matter what your taste may be, we have a number of precious items to help you bring back the romance of candlelight.

In the pre-electricity days of lighting design, craftsmen were conscious to maximize light in any way they could.  This was achieved through the use of reflective materials such as glass, crystal, or polished metals.  Dripping with cut glass, these candelabra would be an ideal way to scatter slivers of light around a room.  Maximum light and maximum drama, this 1815 pair attributed to John Blades are the height of Regency elegance.

18th Century Rock Crystal Chandelier

18th Century Rock Crystal Chandelier

While many fixtures have been converted for electricity, some still maintain their bygone allure.  Infinitely more practical than raising and lowering the chandelier every time you need to make a lighting adjustment, this electrified chandelier boasts rock crystal adornments.  The natural mineral characteristics inherent to rock crystal help divert light in novel ways, not unlike candlelight.

Lighting is everything.  To highlight a favorite painting or to set the tone of an evening, your home should have the very best.  I encourage you to look around our gallery and our website for your next candelabra, chandelier, sconce, or lamp.

The Inventor of Nocturnes

November 22nd, 2013 | posted by Danielle Halikias

 

The Dockside Liverpool at Night

The Dockside Liverpool at Night

Many of us spend time daydreaming, lots of “what ifs” flit through our heads and our hearts.  Imagine you work as a clerk for a railroad, but you know you are destined for something else.  You are 24, living in a manufacturing town, and already have a growing family; would you take the leap to follow this dream?  Luckily for us, and in spite of having no formal training, John Atkinson Grimshaw felt the pull towards the art world and followed it.

The year is 1861 and Grimshaw’s first concerted forays into the art world are cautious and meticulous. The delicate early paintings serve as reminders that the artist is taking a huge risk, a risk that would make anyone at least a little hesitant.  Drawing inspiration from the Pre-Raphaelite Brotherhood and their battle cry of “truth to nature”, however, Grimshaw soon begins to develop his own unmistakable style.

Whitby

Whitby

 

By the late 1860s Grimshaw had firmly established the style and subject matter that led James McNeill Whistler to remark: “I considered myself the inventor of nocturnes until I saw Grimmy’s moonlit pictures”  This style incorporates tones and luminous qualities that have gone unmatched by other artists.

All in the Golden Twilight

All in the Golden Twilight

Grimshaw’s atmospheric works tend to feature a large expanse of sky with precise consideration to how light reflects off other elements in the scene, often pools of water or crisp autumn leaves.  Another reoccurring theme in the artist’s oeuvre is the lone figure along a path.  This evocative combination of evening and solitude has the effect of producing an overwhelming sense of nostalgia in the viewer.

Moody and patiently crafted, John Atkinson Grimshaw’s works have made him a favorite among discerning collectors.  Whistler’s ode to Grimshaw’s prowess is certainly accurate; you may search far and wide, but simply put, no other artist can capture the passing of the evening sky like Grimshaw.

 

 

Next »